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Rija Nagar – The Cham Community’s Prayer-for-Peace Ritual in Bac Binh, Lam Dong

Hoang Duong 24/01/2026 08:03

The Rija Nagar (Prayer-for-Peace Ceremony) of the Cham people in Bac Binh Commune, Lam Dong Province, is a representative folk ritual reflecting a distinctive belief system, aspirations for favorable weather, and a strong sense of community cohesion preserved through generations.

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The Cham Prayer-for-Peace Ritual reenacted at the 2025 Lam Dong Provincial Gong and Folk Music Club Festival.

A Sacred Ritual in Cham Cultural Heritage

Within the rich cultural heritage of the Cham people, the Prayer-for-Peace Ceremony holds a particularly important position among the community in Bac Binh Commune.

Beyond its spiritual significance, the ritual serves as a vibrant space where traditional cultural and artistic values converge, enriching the spiritual life of the community.

The ceremony is usually held in the first month of the Cham calendar, corresponding to around May in the Gregorian calendar. This transitional period between the dry and rainy seasons is considered sacred, marking the renewal of nature and the beginning of a new agricultural cycle.

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The Prayer-for-Peace Ceremony symbolizes the dispelling of the harsh dry-season heat and the casting away of misfortune from the old year, welcoming a new year with hopes for timely rains, abundant harvests, good health, and peaceful villages.

This is also an occasion for the people of Palei village to reunite, reaffirm shared beliefs, and strengthen community bonds.

Ritual Preparations and Sacred Offerings

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The ritual dancer Kaing waves a red ceremonial fan before the ancestral altar.

Preparations for the ceremony are carried out with great care. On the first day, offerings include rice and soup, braised and grilled fish, traditional cakes, betel and areca nuts, tea, wine, salted eggs, and other items to invite the Mountain Deities and Sea Deities to bear witness.

On the following day, a goat-offering ritual is performed to present offerings to the Supreme Deity, praying for protection and blessings for the entire community.

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Ritual offerings carefully prepared for the ceremony.
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Villagers clasp their hands toward the deities, entrusting their wishes for the village and each family.

The ceremony opens with a prayer ritual. The chief priest beats the Baranâng drum and chants invocations to invite the land goddess Po Ina Nagar to descend, witness the ritual, and receive the offerings.

In an atmosphere of reverence, the Kaing ritual dancer unfurls a red fan before the ancestral altar, while villagers collectively clasp their hands, offering prayers for peace and prosperity.

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The Kaing ritual dance reenacted at the 2025 Lam Dong Provincial Gong and Folk Music Club Festival.

Symbolic Ritual Dances

A defining highlight of the Prayer-for-Peace Ceremony is its system of symbolic ritual dances.

The Po Ina dance, with its slow and graceful rhythm, is performed as an offering to the Mother Goddess Po Ina Nagar. This is followed by the Po Dara dance, inviting the goddess Po Dara—daughter of Po Ina—to join the celebration and bestow blessings upon the village.

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The Kaing ritual dancer performs the fire-biting dance, symbolizing strength, masculine power, and the determination to dispel misfortune and adversity from the old year.

The Po Dara sequence concludes with the Katung dance, associated with inviting the Mountain Deity Po Bal Mâh.

Amid the echoing Baranâng drums and sacred chants, the Kaing dancer performs the dramatic act of biting glowing embers—symbolizing divine strength and the resolve to ward off evil and lingering misfortunes.

Fire-Stepping and Renewal

The ritual continues with the striking fire-stepping dance. As villagers cheer and drums resound, the Kaing dancer steps upon and extinguishes the glowing embers, embodying the community’s belief that the harsh drought has been driven away, opening the path to a peaceful and prosperous new year.

The Kaing ritual dancer steps on the embers amid villagers’ cheers, affirming faith in renewal and abundance.

Fertility Dance and Ritual Closure

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The fertility dance (yin–yang dance) reflects the philosophy of growth, reproduction, and the dualistic folk belief system closely linked to the Cham matriarchal tradition.

The ceremony concludes with the fertility dance, expressing the philosophy of natural regeneration and the dualistic belief system rooted in the Cham matriarchal heritage. This is followed by the raft-releasing ritual (Tong On), symbolically sending misfortune and illness from the old year down the flowing water.

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The Tong On raft-releasing ritual symbolically carries away misfortunes of the past year.

Preserving a Living Cultural Heritage

More than a religious ritual, the Prayer-for-Peace Ceremony serves as a “living museum”, preserving the Cham people’s traditional cultural and artistic values. The restoration and continued practice of the ritual demonstrate the community’s commitment to safeguarding ancestral heritage.

According to Dam Thi Lien, a Cham artisan in Bac Binh Commune, the Prayer-for-Peace Ceremony plays a particularly vital role in the spiritual life of the Cham people.

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Artisan Dam Thi Lien, a Cham cultural practitioner in Bac Binh Commune.

In the context of rapid social change, passing down ritual knowledge, dances, ceremonial music, and chants to younger generations has become increasingly important. Village artisans patiently teach each dance movement, drumbeat, and prayer, viewing this transmission as a way to preserve the “cultural soul” of the Cham people.

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The Tong On raft-releasing ritual as part of cultural transmission.

In practice, the attention and support of local authorities and the cultural sector—through facilitating festivals, supporting artisans, and introducing the ritual to wider audiences—have played a crucial role in preservation efforts.

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The Prayer-for-Peace Ceremony is not only preserved within the community but has also become a distinctive cultural product, enriching the diverse cultural landscape of Lam Dong Province.

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